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Every second syllable is accented, so this is classic iambic pentameter. Well—not quite classic. You smarty-pants(es) in the audience probably noticed that there's a shift in the meter of the first line, so that two unaccented syllables follow each other. That's a little bit of poetic license there. Poets (and playwrights) hardly ever write in perfect meter, because perfect meter sounds like a nursery rhyme. Varying the meter draws attention to certain words (like "die" and "sleep" in this case) and helps the verse sound a little more natural.